The time has finally come … time to pick the first two books we (or I) will read exclusively for the blog.
A Mercy by Toni Morrison vs On Beauty by Zadie Smith
In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he owns a small girl in part payment for a bed debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master’s house, and later from the handsome Blacksmith, an African, never enslaved, who comes riding into their lives. A Mercy reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the ambivalent, disturbing story of a mother and daughter – a mother who casts off her daughter in order to save her, and a daughter who may never exorcise the abandonment.
Howard Belsey is a middle-class white liberal Englishman teaching abroad at Wellington, a thinly disguised version of one of the Ivies. He is a Rembrandt scholar who can’t finish his book and a recent adulterer whose marriage is now on the slippery slope to disaster. His wife, Kiki, a black Floridian, is a warm, generous, competent wife, mother, and medical worker. Their children are Jerome, disgusted by his father’s behavior, Zora, Wellington sophomore firebrand feminist and Levi, eager to be taken for a “homey,” complete with baggy pants, hoodies and the ever-present iPod. This family has no secrets–at least not for long. They talk about everything, appropriate to the occasion or not. And, there is plenty to talk about.
The other half of the story is that of the Kipps family: Monty, stiff, wealthy ultra-conservative vocal Christian and Rembrandt scholar, whose book has been published. His wife Carlene is always slightly out of focus, and that’s the way she wants it. She wafts over all proceedings, never really connecting with anyone. That seems to be endemic in the Kipps household. Son Michael is a bit of a Monty clone and daughter Victoria is not at all what Daddy thinks she is. Indeed, Forster’s advice, “Only connect,” is lost on this group.
The two academics have long been rivals, detesting each other’s politics and disagreeing about Rembrandt. They are thrown into further conflict when Jerome leaves Wellington to get away from the discovery of his father’s affair, lands on the Kipps’ doorstep, falls for Victoria and mistakes what he has going with her for love. Howard makes it worse by trying to fix it. Then, Kipps is granted a visiting professorship at Wellington and the whole family arrives in Massachusetts.